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Gala Dynastie Actually Reflects What Needs To Be Fixed In Montreal And It’s A Good Thing
When An Invite To The Cookout Goes Wrong
Published
2 years agoon
Whether You Hate Or Love Gala Dynastie, The Conversation Is What Really Matter
Before I do this mental gymnastic with you, I have to first address the elephant in the room: yes I was nominated twice at Gala Dynastie for blogger of the year. Sure I was there at the first edition, I took pictures at their black carpet, someone I looked up to was nominated a couple times, I have colleagues & acquaintances who work with the organization and my PR/mentor is actually their publicist.
Read More: I Got Nominated For Gala Dynastie & Here’s How I Really Feel About It
Strangely enough last weekend was the first time I wasn’t in attendance. Something about being in large crowds don’t sit right with me anymore.
What I like about the internet is the fact that you don’t need to be there to actually be there.
I saw different sides of the spectrum. Regular black folks, industry black folks, creative black folks and other folks (shoutout to my non-black people who rock with us for real).
Just like you, him and her, I saw Mr. Benoit Charette in attendance and at first I did find it odd.
I saw Julie Snyder too and I couldn’t help but think that somehow someway it was the equivalent of when a rapper is going POP (which can be a good thing at times).
I get it, a lot of us see Quebecers new found wokeness as performative but these days, I try to tone down my natural gift for cynicism and ask myself ”What If Though?!”.
I can see how things like these can build bridges between mainstream Quebec and us and with that opportunities arise.
While I had ”We Shall Overcome” banging in my head, things went kind of left for a minute.
It was all fun and games until a clip of Mr. Benoit Charette surfaced on my timeline the next day.
It had the effect of whatever unfortunately happens when two vehicles cross path on a one way road.
The collision was head first and violent. Funny and morbid at the same time.
We did what we usually do as a community.
We don’t crucify the offender, we crucify the person who gave them a mic.
On a technical level, the gala did nothing wrong.
I’ve learned a long time ago that when public fuckups occur, you will be judged on a moral level based on what emotional cord got pulled.
Yes he did wrongfully morn the loss of Mr. Touré whom was actually alive, well and IN THE AUDIENCE .
Just like you, I felt like it was insensitive, unacceptable and tone deaf.
On the other hand, to put another man’s words and actions on an entire entity is unfair and disingenuous.
Just say you hate the guy and keep it moving!
I can already see you guys throwing your phone, punch the air and come at my neck too.
You see it as an oxymoron that a white man became the minister of anti-racism? I hear you brother.
You’re appalled that his government doesn’t recognize systemic racism? I feel you sister.
To add insult to injury, you can’t wrap your head around the fact that the same person did a speech at a black award ceremony? Damn me too my guy!
If these are your only optics, I can see where you’re coming from but hear me out.
On my end, I can ALSO see the benefit of establishing a line of communication with the other side when DONE RIGHT.
I remember a point in time where we had this running joke of which white person could or could not come to the cookout.
Today more than ever we need to make sure we can always control who’s coming and who’s bringing what to said cookout.
If you come to MY cookout, there is cookout etiquette at all times!
My world, my rules. No relish and no eulogy for someone who’s still alive and in the room (simple ain’t it?).
Unfortunately Gala Dynastie got a sour taste of what happens when good intentions contrast with the final result and the internet NEVER forgives.
When you extend your hand to somebody we might not be fond of, sometimes you have to let the public know WHY you’re doing it.
Else the move might be interpreted terribly and one thing about black folks, we love ourselves a good conspiracy theory and be quick to label you coon for it.
I hate to be this guy, I swear I do. Perhaps at times like these I feel like I have to remind my good people to look at the bigger picture first.
Before the incident, the celebration was real, ya’ll got your fly on, vibe out to the performances and had a blast.
People looked good, flicked up, felt good and celebrated each other after being in the confine of their homes for now what seems like 3 years.
I wasn’t there but my ”fear of missing out” was high while watching the screen.
I saw people getting their flowers for their great work like Eva Kabuya, Tai Laguerre & Gayance

Cc: Manoushka Lacherie
I’ve discovered people that I might never heard of if it wasn’t for Gala Dynastie.
In the midst of all that, I came to the realization that the actual problem is the disconnect between us as a people.
Corporate black folks don’t mingle with creative black folks from the internet. Black folks on TV don’t seem to understand or respect the impact of black folks who are personalities
on social media and vice versa.
One group is viewed as buddy buddy with white folks, the other group looks like they’re against white folks. Just like that we’re back to good old house or field ”you know what” debate with cellphones to make matters worst.
We don’t know or comprehend what happens in each other’s worlds and we don’t make an effort to do so because 140 characters on an app are enough to get your point across these days.
The same disconnect make both camps question the legitimacy of the other and as a guy who’s seen/worked with both, it’s disheartening to me.
Gala Dynastie, to me, might be the only time and place in the year where we both can coexist to bridge that gap.
The young and old, in the industry or on the internet and while we’re at it, the corporate crowd and those who lean on the artistic side.
Whether we like it or not black twitter is a voice you can’t avoid anymore and all it took to spark controversy was a clip from an Instagram user.
Whether we like it or not black folks in corporate settings either have the capital, know those who do or are able to facilitate projects to push us forward.
It’s not about US vs US v and then vs THEM, it has to simply be a ”US” thing.
If it’s a ”US” thing, let’s make sure people outside of ”US” understand the intricacies of what being ”US” mean.
Let’s make sure they care about ”US” enough, let’s make make sure they really understand what comes with an invite to the cookout (no relish and no eulogies).
Let’s also give ”US” a chance whenever one of ”US” let something slip or couldn’t predict.
One thing is for sure and two things are certain; whenever we mesh with white people things like that CAN and ARE GOING to happen.
Do things like that can help the gala become mainstream? Absolutely. Does it benefit people from the organization? Absolutely too.
The bigger picture is to realize that the same exposure makes EVERYBODY win.
From a nominee, performers, potential advertisers, viewers and even attendees.
Knowing the history of how we’ve been portrayed though. I feel like we need to carefully oversee how we are perceived and treated especially when they come to our platforms.
Not to say that people behind Gala Dynastie didn’t do just that but judging from the backlash; the stakes are higher than they’ve ever been.
I want to see this thing and our community flourish and be recognized for what it’s suppose to mean and represent.
When I see a lot of outlets who wouldn’t normally cover the gala focus on what Mr. Charette said, I feel like it defeats the purpose.
When I see another black person going at the neck of another black person who’s trying to bring light to another black person, I feel like it defeats the purpose.
They say pick your battles and also to pick your poison.
I pick my people first and then deal with whatever I disagree with my people at the end.
If you stick to this Mr. Charette’s debacle, to me it’s like your picking your poison twice.
On one side you’re tearing down an entity meant to uplift you and on the flip side you’re giving power to a man who seemingly doesn’t care enough to know when you exist or not.
We can always be at extremes when it comes to what we believe but we can’t afford to not being able to meet at the middle when it comes to how we grow from there.
Jefferson is the guy you hate to love and love to hate, marginal and uncommon but he brings the right comment at the right time

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Myraï Lavoie Is Taking The Fashion World By Storm With The Glitch Fashion Show
Published
8 months agoon
Jan 25, 2023
Myraï Lavoie Is Creating Her Own Universe And You’re Invited
What I appreciate the most about my work is the fact that I get to meet great minds & humans with a powerful story and this time around, I got to cross path with the talented Myraï Lavoie.
Read More: Tawhida Tanya Evanson: When Words Can Really Give You Wings
The city has been quiet fashion wise over the years and as platform that mostly talked about fashion in its inception, we’ve felt it the most over here.
There would be sparks of hope here and there but besides Festival De Mode & Design, not a lot of things really stood out.
When I heard about ”The Glitch” it’s like I knew what it was about without nothing what it was about.
I mean good branding is good branding but it was more so who’s behind the good branding this time around. I had the chance to work with Myraï Lavoie in the past and one thing I can is : there’s a method to her madness.

Every artist has an eye and that eye is shaped by our views of the world and life experiences. Myraï had an interesting life.
One where being different is actually the move. One where if you don’t fit somewhere, you don’t try to get in the mold, you bend it.
For all the lack of support or misunderstand she got in Montreal, she found a place to be creative working or being in room with the likes of Paris Hilton & P. Diddy to name a few.
What she’s learned from coming out of her shell and experiencing the world she’s about the share it with us with her own fashion called ”The Glitch” tonight.
”The Glitch” is exactly what I thought it was going to be. A standout experience and experience and something you’ve never seen before just like its creator.
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The 50th Anniversary Of Les Grands Explorateurs Presents A Touching Documentary Exploring Africa And Its Wonders
An Amazing Story by Amazing Creators!
Published
11 months agoon
Oct 20, 2022
Les Grands Explorateurs Is Celebrating Africa In A Real Way!
Curiosity has to be the most incredible human quality there is and Les Grands Explorateurs has been putting it on the forefront for the past 50 years!
Read More: Isabelle Mugwaneza Desmarais: An Unlikely Journey For An Unlikely Unique Success Story
We are now entering an era where we want to know more about what is going on on the other side of the world.
How people are living, their culture and what is their reality compared to ours.
Sometimes the depiction of such reality is either unfair or made to look down at somebody. Other times, filmmakers have the challenge to depict a reality in a way to uplift what other cultures are bringing to the table.
Milan Bihlmann and Muammer Yilmaz are two filmmakers who know where they stand when it comes to that.
”Rêves D’Afrique” is the epidemy of that. The two filmmakers decided to go to 7 countries in Africa to not only paint the picture for the world but to give the good people out there something we forget to give one another : ”a piece of yourself’.
Armed with a backpack, film gear and true altruism, the duo spread love and good deeds wherever they could throughout their trip.
Watch The Trailer
Les Grands Explorateurs being this platform to uncover the world made the right choice by adding this beautiful piece to their program.
Up until November 1st, you still have the chance to see the beautiful piece in theater and then online starting November 2nd.
What's up
Isabelle Mugwaneza Desmarais: An Unlikely Journey For An Unlikely Unique Success Story
Published
1 year agoon
Jul 27, 2022
A Change Is Coming…Finally?
I grew up in the 90’s and although we can only realize it now but seeing people like Isabelle Mugwaneza Desmarais striving in a space where not a lot of us do is what was missing this whole time.
Read More: Lobster Season Has Arrived And The Homard Gaspésien Is Still The Best You Can Find On The Planet
The thing about representation is that you won’t know you need it until you need it. As most of us were just looking at society, we didn’t see ourselves but also normalized it.
I think Isabelle saw something that we couldn’t see in ourselves. The truth is not at the extreme it’s right in the middle. The intersection between being different but also a part of the ecosystem was what she saw.
Representation is not about doing what’s right because it’s right but more so because it needs to be done.
Starting her career in the public sector wasn’t a thrill anymore. Then she did some soul searching and probably came to the conclusion we all come to at some point in our existence:
Life Is A Joke
For her it was literal though. She figured out that humor and the business around it was her calling so what was the first step? Becoming a comedian herself and teach a thing or two to Dave Chappelle?
What about producing your own show with up and coming artists? Well, for Isabelle Mugwaneza Desmarais the start of this new chapter was simple as getting a non-paid internship.
Just For Laughs became her new home and with that started her mission to be at the forefront of what the landscape in comedy was to become.
Through thick and thin, work and dedication, intuition and know-how, she pulled through and the big way too!
Isabelle Mugwaneza Desmarais became the director of ZooFest. With her pulse on the scene, she fought and pushed for upcoming talents that are more than just tanned.
We’re seeing more BIPOCs getting a chance on stage and I would like to believe that this is just the beginning.
Speaking of ZooFest, if you want to see for yourself how this festival has grown in diversity and get a good kick out of it. You still have the opportunity to do so tomorrow as the last day of the celebration
With french performers like Lenny M’Bunga, AZ, Marine Ella, Meryem Benoua, Ayoub Marceau & Hugo.
Live podcasting will also be a part of the last run of the show. In the corner of Jeanne-Mance & Maisonneuve, you can can get a good view, a good potential date, you get to see greatness in all shapes, size or color AND of course a good laugh!
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